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- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Notes on the Early Unpublished Manuscripts of Peter CareyEssay1 October 2010
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Review of *Reading by Numbers: Recalibrating the Literary Field*, by Katherine BodeReview1 November 2012
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- H. G. Wells in AustraliaEssay30 May 1990
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Review of *The Fiction of Tim Winton: Earthed and Sacred*, by Lyn McCredden.Review25 February 2018
- Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia MartinReview19 December 2019
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Annual Bibliography of Studies in Australian Literature : 1963Essay1 June 1964
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968