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Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Dramatising the Self: Beverley Farmer’s Fiction

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Australian Literary and Scholarly Publishing in Its International Context

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

A. D. Hope and the Apocalyptic Splendour of the Sexes

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

The Return of the Fairy: Australian Medievalist Fantasy for the Young

Disciplined Action? The Challenges of English at Canterbury and Beyond

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Introduction: The Uses of Irish-Australian Literature

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy