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Review of books by Brenda Niall, Harry Heseltine, Mary Lord and R.G. Geering

Fiction

A Film Script of ‘Voss’

Review of *The Folly of Spring: A Study of John Shaw Neilson's Poetry* by Cliff Hanna, and *Dimitris Tsaloumas: Poet* by Con Castan

Review of *Christina Stead: A Biography*, by Hazel Rowley

Review of *The Gimbals of Unease: The Poetry of Francis Webb* by Bill Ashcroft, and *A Woman's Voice: Conversations with Australian Poets* by Jenny Digby

Person, Persona and Product: Henry Kendall and ‘Steele Rudd’

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Spaces, Cargoes, Documents, Values and Principles: Some Recent Poetry Anthologies

Review of *Too Far Everywhere: The Romantic Heroine in Nineteenth-Century Australia*, *Seeking the Centre: The Australian Desert in Literature, Art and Film*, *The Diaries of Barbara Hanrahan* and *Woman and Herself: A Critical Study of the Works of Barbara Hanrahan*

An Interview with Gabrielle Lord

Australian Literary Lives

Challenging Voices: Tracing the Problematic Role of Testimony in Political Change

Colonial Violence and Forgotten Fiction

Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna Mead

The Historical Basis of For the Term of His Natural Life

*An Imaginary Life*: The Dimensions of Self

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

‘Our Literary Connexion’: Rosa Praed and George Bentley