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- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary BackgroundEssay1 October 1982
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Truth beyond the Language Game: The Poetry of Gwen HarwoodEssay1 May 1976
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Alan SeymourEssay1 May 1974
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Reading EnglishEssay1 June 2013