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- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- The Telling of Marmel’s StoryEssay1 June 2009
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012