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*An Imaginary Life*: The Dimensions of Self

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

The Time of Biopolitics in the Settler Colony

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Australian Gothic: Theatre and the Northern Turn

Patrick White, Saul Bellow and the Problem of Literary Value

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

‘Our Literary Connexion’: Rosa Praed and George Bentley

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*