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- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Annual Bibliography of Studies in Australian Literature: 1990Essay1 May 1991
- Review of Martin Boyd, by Brenda NiallReview1 October 1979
- What is Australian Popular Fiction?Essay3 December 2018
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- A Checklist of the Poems of Robert D. FitzGerald, 1917-1965Essay1 May 1970
- Henry Kingsley and the Australian LandscapeEssay1 October 1970
- Authors’ Statements [John Morrison]Essay1 October 1981
- Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric IrvinReview1 May 1983