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- Review of *Gail Jones: Word, Image, Ethics*, by Tanya DalziellReview30 April 2021
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- Literary Nationalism and the 1890sEssay1 May 1971
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008