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- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979
- Editors’ Statements [Nigel Krauth]Essay1 October 1981
- The Family Face: Martin Boyd’s Art of MemoirEssay1 May 1976
- Price Warung’s FictionEssay1 May 1972
- Vicki ViidikasEssay1 October 1977
- John ForbesEssay1 October 1977
- *MOK*Essay1 October 1977
- *Poetry and Prose Broadsheet*Essay1 October 1977
- C. Hartley Grattan RememberedEssay1 May 1996
- The Origin of ‘The Settler’s Lament’Essay1 June 1963
- When ‘History Changes Who We Were’Review1 November 2008
- Xavier Herbert: *Capricornia*Essay1 October 1970
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981