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Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral Lansbury

Review *John Shaw Neilson* by Hugh Anderson and L.J. Blake

Review of *Thirty Years in Australia*, *Ada Cambridge: Her Life and World 1844-1926*, *Rattling the Orthodoxies: A Life of Ada Cambridge*, *Pioneer Writer: The Life of Louisa Atkinson: novelist, journalist, naturalist*, and *Bengala or Some Time Ago*

Art, Life and Authority in Australian Literary Culture: Marr and White

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

‘That Wild Run to London’ : Henry and Bertha Lawson in England

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Drama’s Vitallest Expression: The Fiction of Olga Masters

Shirley Hazzard: Transit and *The Bay of Noon*

*Ralph Rashleigh*: A Convict Dream

‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Australian Literature: Points for Departure

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Professing the Popular: Political Fiction circa 2006