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After *925*

Francis Webb’s Collected Poems

Review of *Death is a Good Solution* by A.W. Baker; and *Snow on the Saltbush* by Geoffrey Dutton

Facey’s A Fortunate Life and Traditional Oral Narratives

Review of *Poet of the Colours: The Life of John Shaw Neilson* by John H. Phillips

Christina Stead: An Interview

Review of *Adam Lindsay Gordon* by W.H. Wilde; and *Rolf Boldrewood* by Alan Brissendon

Concrete Poetry: A Form In Search of Its Selves

David Ireland’s *Prisoner’ and *The Flesheaters*

Review of *Siting the Other: Re-visions of Marginality in Australian and Anglophone Canadian Drama*, edited by Marc Maufort

Fresh Light on A. G. Stephens as Editor of Barcroft Boake’s Works

Review of *Speaking Our Language: The Story of Australian English*, by Bruce Moore

Review of *Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia* by Helen Gilbert and Jacqueline Lo, and *Unsettling Space: Contestations in Contemporary Australian Theatre* by Joanne Tompkins

Two Lost Poems by Henry Lawson about the Boer War

Review of *Scenes of Reading: Is Australian Literature a WorldLiterature?* ed. Robert Dixon and Brigid Rooney

The English Publication of *His Natural Life*

Repetition and Menace in Hal Porter’s ‘The Tower’

Four Notes on the Practice of Revolution

A Frame of Reference: Rosemary Dobson’s Grace Notes for Humanity

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*