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- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- An Interview with Christopher KochEssay1 May 1997
- An Interview with Tim WintonEssay1 October 1996
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- On Not Being Australian: Mudrooroo and DemidenkoEssay1 October 2004
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Annual Bibliography of Studies in Australian Literature : 2004Essay1 May 2005
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Folksong - A ProtestEssay1 June 1966
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989