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Colonial Violence and Forgotten Fiction

Letter to the Editor

Society and Nature in Such is Life

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Daemonic Currents in Dorothy Porter’s Poetry

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Caesura and the Deforming Poem: Rupture as a Space for the Other

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Recentring Water: Thinking with the Chain of Ponds

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Australian Gothic: Theatre and the Northern Turn

The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*

Thomas Keneally’s ‘Innocent’ Men

David Malouf and the Language of Exile

Lawson, the *Bulletin* and the Short Story

‘The Loaded Dog’: A Celebration

Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity