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- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Annual Bibliography of Studies in Australian Literature: 1981Essay1 May 1982
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997