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Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison Ravenscroft

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

Phonographic Books and the Late Nineteenth-Century Reader

On Not Having Sex: Sumner Locke Elliott and Queer History

Challenging the Editing of the Rachel Henning Letters

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Christina Stead’s Earliest Publications

*An Imaginary Life*: The Dimensions of Self

‘…The Wild Assertion of Vitality’

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Short Story Anthologies and ‘the Solid Body of Australian Fiction’

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Australian Gothic: Theatre and the Northern Turn

Words, Sticks and Stones: Keneally, Literature and Social Impact

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Gay and Lesbian Writing and Publishing in Australia, 1961-2001

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*