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- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Truth beyond the Language Game: The Poetry of Gwen HarwoodEssay1 May 1976
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- An Indian without a CountryEssay1 June 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006