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- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Friendship in a Time of LonelinessEssay1 May 2009