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The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Some Developments in Short Fiction, 1969-1980

Editing A.D. Hope

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Patrick White, Saul Bellow and the Problem of Literary Value

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

A Decade of Complaints

From the Harp of Erin to Erin of the Harp with Thomas Keneally

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

The Historical Basis of ‘Robbery Under Arms’

Annual Bibliography of Studies in Australian Literature : 1964

The Author of *The Hibernian Father*: An Early Colonial Playwright

The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*

Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla Modjeska