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Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Michael Wilding’s Three Centres of Value

Ern Malley and His Rivals

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

The Fiction of Gabrielle Lord

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Not Reading the Nation: Australian Readers of the 1890s

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

An Indian without a Country