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What Created, What Perceived?: Early Responses to New South Wales

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘This Country is My Mind’: Les Murray’s Poetics of Place

*Fredy Neptune*: Metonymy and the Incarnate Preposition

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Gender Buttons

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

The Time of Biopolitics in the Settler Colony

Indigenous Literature and the Extractive Industries

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*