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- Apollo in George StreetEssay1 October 1986
- Tranter’s PlotsEssay1 May 1989
- Introduction: Why Pastoral?Essay30 June 2015
- Martin Boyd: A ChecklistEssay1 October 1972
- Four Notes on the Practice of RevolutionEssay1 October 1977
- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- Country Poetry and Town Poetry: A DebateEssay1 May 1979
- A Frame of Reference: Rosemary Dobson’s Grace Notes for HumanityEssay1 May 1981
- The Dark Side of the Dreaming: Aboriginality and Australian CultureEssay1 October 1992
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- True Tales and False Alike Work by Suggestion: The Poetry of A.D. HopeEssay1 October 1990
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- An Interview with Christopher KochEssay1 May 1997
- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- An Interview with Tim WintonEssay1 October 1996
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- On Not Being Australian: Mudrooroo and DemidenkoEssay1 October 2004
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004