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- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- About Face: Asian-Australians at HomeEssay1 May 2002
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Reading (in/and) *Miranda*Essay1 May 2006
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008