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- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Review of *Patrick White as Playwright* by J. R. DyceReview1 May 1975
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- The Influence of John Steinbeck’s *The Pastures of Heaven* on Patrick WhiteEssay1 May 1974
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Little Magazines 1968-77 : A Selective ChecklistEssay1 October 1977
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- An Interview with Archie WellerEssay1 October 1993
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Review of *After Electra: Rage, Grief and Hope in Twentieth-Century Fiction*, by Eden LiddelowReview1 May 2005
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Review of *David Malouf*, by Don RandallReview1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009