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*The Battlers*: Kylie Tennant and the Australian Tradition

Official Criticism? Critical Practices and Australian Poetry

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

The Pursuit of Oblivion: In Flight from Suburbia

Decomposing Suburbia: Patrick White’s Perversity

Treating Dora in *His Natural Life*

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Demidenko/Darville: A Ukrainian-Australian Point of View

Manifesting Literary Feminisms: Nexus and Faultlines

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Beatrice Davis and ‘The Sacredness of the Printed Word’

‘Our Literary Connexion’: Rosa Praed and George Bentley

Coetzee’s Womanizing

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Helen Garner’s Education