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- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Les Murray’s Talking MosaicsEssay19 December 2024
- *His Natural Life* and Its SourcesEssay1 May 1971
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005