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- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Society of Women Writers 1925-1935Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Interview with David MaloufEssay1 May 2010
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024