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- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Reopening the Case of Ada CambridgeEssay1 October 1987
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- The One-Actor Play in Australian DramaEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992