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The Sites of War in the Fiction of Thomas Keneally

Family and the Father in the Poetry of Les A. Murray

Reopening the Case of Ada Cambridge

The Structure of Frederic Manning’s War Novel *Her Privates We*

Thoughts on Some Recent Poetry

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Kate Baker, ‘Standard-Bearer’

The Support of Literature in Colonial Australia

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

An Absence of Partisanship

Ern Malley and His Rivals

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader