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‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

The Modernist Sacred: Randolph Stow and Patrick White

Friendship in a Time of Loneliness

Generations Lost and Found: Reading Women Writers Together

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

The Impact of Literature

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

‘The Kingdom of Dust’: *Voss* as Planetary Epic

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Reading in Public: Irene Longman and Citizenship

Phonographic Books and the Late Nineteenth-Century Reader

Christina Stead’s Student Publications

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect