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- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- The Politics of English Studies in IndiaEssay1 June 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016