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Olivia and Chloe: Fictions of Female Friendship

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

An Interview with Archie Weller

Ern Malley and His Rivals

‘Talking with Yagan’s Head’: The Poetry of John Mateer

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Salt Scars: John Kinsella’s Wheatbelt

Books as Gifts: The Meaning and Function of a Personal Library

Les Murray’s Talking Mosaics

Shame in Ruth Park’s Inner Sydney Novels

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Short Story Anthologies and ‘the Solid Body of Australian Fiction’

‘This Country is My Mind’: Les Murray’s Poetics of Place

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

A Versatile Career: Ruth Park’s Novels in the American Marketplace

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Facey’s A Fortunate Life and Traditional Oral Narratives

Fred J. Broomfield: Research Assistant Extraordinaire

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital