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Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

Of Sages and Sybils: Alec Hope and Judith Wright

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

An Indian without a Country

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Valerie Solanas and the Limits of Speech

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Reading English

The Return of the Fairy: Australian Medievalist Fantasy for the Young

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’