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Interview with Andrew Taylor

‘This Country is My Mind’: Les Murray’s Poetics of Place

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Unknown Australia: Rosa Praed’s Vanished Race

Displaying the Monster: Patrick White, Sexuality, Celebrity

In the Beginning: David Malouf’s *An Imaginary Life*

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Patrick White, Saul Bellow and the Problem of Literary Value

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Indigenous Literature and the Extractive Industries

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic