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- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020