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Interview with Andrew Taylor

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Folie, Topography and Family in Murray’s Middle-Distance Poems

On Appropriation: Two Novels of Dark and Barnard Eldershaw

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

‘That Wild Run to London’ : Henry and Bertha Lawson in England

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Australian Gothic: Theatre and the Northern Turn

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Caesura and the Deforming Poem: Rupture as a Space for the Other