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Australian Criticism in ‘Transition’

*The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’

A Mate in Publishing

‘My Little Ghost-Slave’: The Queer Lives of Rosa Praed

‘Things are Cast Adrift’: Brian Castro’s Fiction

An Interview with Tim Winton

‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA Connections

An Interview with Thomas Shapcott

John Foulcher’s Democracy

On Not Being Australian: Mudrooroo and Demidenko

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Miles Franklin and ‘The Survivors’

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet