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Thoughts on Some Recent Poetry

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Patrick White’s Novels and Nietzsche

Ways of Seeing : Henry Lawson’s ‘Going Blind’

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Poetry and Politics in Oodgeroo: Transcending the Difference

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

An Interview with Archie Weller

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Still Life: Art and Nature in Vivian Smith’s Poetry

A Reconsideration of Christina Stead at Work: Fact into Fiction

Towards a History of Literary Programming on ABC Radio

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Michael Wilding’s Three Centres of Value