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- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Annual Bibliography of Studies in Australian Literature: 1981Essay1 May 1982
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Asia and the Contemporary Australian NovelEssay1 October 1984
- The Making of Thomas KeneallyEssay30 May 2015
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- Patrick White’s Four PlaysEssay1 June 1966
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- *The Young Cosima*Essay1 May 1970
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Barbara Hanrahan’s NovelsEssay1 May 1983
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985