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- Review of *Transcultural Graffiti: Diasporic Writing and the Teaching of Literary Studies*, by Russell West-PavlovReview1 May 2006
- ‘Where the Dead Men Lie’Essay1 May 2006
- Review 0f *Make It Australian: The Australian Performing Group, the Pram Factory and New Wave Theatre*, by Gabrielle WolfReview1 May 2009
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Charles Rowcroft, For ExampleEssay1 June 1966
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979
- The Language of Australian LiteratureEssay1 June 1967
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968
- The Sources of *His Natural Life*Essay1 October 1969
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981
- Some Previously Unpublished Lawson Material in Australian LibrariesEssay1 October 1982
- Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie HergenhanReview1 May 1984
- From Ballarat to Bendigo with Mark TwainEssay1 May 1985
- Commonwealth Patronage for a Patron’s DaughtersEssay1 October 1982
- The Australian Bush-WomanEssay1 October 1982
- Fact and Fiction: The Scissors and Paste JobEssay1 May 1985
- Review of *The Australian Stage: A Documentary History*, ed. Harold LoveReview1 October 1986