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- Reading (in/and) *Miranda*Essay1 May 2006
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- The Telling of Marmel’s StoryEssay1 June 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- A.G. Stephens: The Critical *Credo*Essay1 December 1964