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- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Reopening the Case of Ada CambridgeEssay1 October 1987
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- A SurveyEssay1 October 1977
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- About Face: Asian-Australians at HomeEssay1 May 2002
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021