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- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Jack LindsayEssay1 October 1983
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- The One-Actor Play in Australian DramaEssay1 May 1981
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Reading Carey Reading MalleyEssay1 October 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006