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At the Edge: Geography and the Imagination in the Work of David Malouf

Charles Harpur and the Myth of Origins

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Christina Stead: An Interview

*The Battlers*: Kylie Tennant and the Australian Tradition

‘…The Wild Assertion of Vitality’

Official Criticism? Critical Practices and Australian Poetry

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

The Pursuit of Oblivion: In Flight from Suburbia

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Demidenko/Darville: A Ukrainian-Australian Point of View

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

‘But who considers woman day by day?’: Australian Women Poets and World War I

Henry Lawson and the ‘Pinker of Literary Agents’

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Afterword: The Story of a Bookmark

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai