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The Redemptive Theme in *His Natural Life*

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

‘…The Wild Assertion of Vitality’

Patrick White’s *A Fringe of Leaves*: History and Fiction

Literary Criticism in Australia: A Change of Critical Paradigms?

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

The Time of Biopolitics in the Settler Colony

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction