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- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- Intricate Knots and Vast Cosmologies: The Poetry of Judith BeveridgeEssay1 May 2000
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Jolley’s WomenEssay1 May 2009
- Walk on the Wild Side : Literature in the Time of CholericEssay1 June 2013
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Christina Stead’s Student PublicationsEssay7 December 2016
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- Xavier Herbert: *Capricornia*Essay1 October 1970