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Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Reading English

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

English Studies in Australia: Repositioning the Subject

Delight and Revolution: Literary Studies, Aesthetics and Ideology

Daemonic Currents in Dorothy Porter’s Poetry

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

In the Club: Australian Crime Fiction in the USA 1943-1954

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind