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Review of *Artful Histories: Modern Australian Autobiography*, *Autographs: Contemporary Australian Autobiography*, and *The Cartographic Eye: How Explorers Saw Australia*

An Uncollected Poem by Kenneth Slessor

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

Review of *Michael Dransfield's Lives: A Sixties Biography* by Patricia Dobrez

Review of *A History of the Book in Australia 1891-1945: A National Culture in a Colonised Market*, edited by Martyn Lyons and John Arnold

Review of *Paper Empires: A History of the Book in Australia, 1946-2005*, edited by Craig Munro and Robin Sheahan-Bright

Review of *Patrick White: A Bibliography*, by Brian Hubber and Vivian Smith

Review of *Imagining Australia: Literature and Culture in the New New World*, edited by Judith Ryan and Chris Wallace-Crabbe

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Review of *Networked Language: Culture and History in Australian Poetry*, by Philip Mead

Review of *The Colonial Journals and the Emergence of Australian Literary Culture*, Rev. ed., by Ken Gelder and Rachael Weaver

Interview with Thomas Keneally, Manly, 27 June 2012

Brunton Stephens as Literary Critic

Thomas Keneally’s ‘Innocent’ Men

Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichhardt

Interview with Barbara Hanrahan

Interviewed by Martin Harrison

James McAuley’s Captain Quiros