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- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Counter-PoeticsEssay1 June 2011
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Reading DickensEssay1 October 2014
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979
- Lawson’s Joe Wilson : A Skeleton NovelEssay1 June 1964
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018