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- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- Reading (in/and) *Miranda*Essay1 May 2006
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- An Indian without a CountryEssay1 June 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Reading EnglishEssay1 June 2013
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010