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Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

A Reconsideration of Christina Stead at Work: Fact into Fiction

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

The Artful Man: Theory and Authority in Brian Castro’s Fiction

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Reading (in/and) *Miranda*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Of Sages and Sybils: Alec Hope and Judith Wright

An Indian without a Country

Tainted Testimony : The Khouri Affair

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*